Press kits and promos that sell the picture.
A-list interviews and B-roll, built for the campaign.
We interview A-list actors and filmmakers with a crew that knows how to move fast and stay out of the way, and we shoot B-roll crafted for marketing, not just coverage. Every frame is planned for where it ends up: the EPK, the featurette, the trailer bumper, the social cut.
Fast on set, precise in post.
-
Brief
We work from the marketing plan and the delivery list, so the shoot captures what the campaign needs, in the formats it needs.
-
Set
Interview setups that look like the film and are ready before talent arrives. Short windows, no retakes for technical reasons.
-
B-roll
Behind-the-scenes and on-set B-roll shot with intent: clean, usable, and cut-ready for featurettes, spots and social.
-
Deliver
Selects, transcripts, and edits delivered to spec for publicity, broadcast and digital, on the studio timeline.
Recent campaigns.
What we can build together
Scoped to the campaign and the release window.
-
Cast and filmmaker interviews
A-list talent, directors and producers, lit and framed to match the picture, with a crew that keeps the room calm.
-
Marketing B-roll
On-set and behind-the-scenes footage shot for the cut, so editors have what promos and featurettes actually need.
-
Featurettes and EPK edits
Short-form pieces that sell the story, the world and the people who made it.
-
Promo spots and bumpers
Broadcast and digital spots cut to length and spec for networks, streamers and paid social.
-
Junket and press day coverage
Multi-camera interview setups for press days, with clean audio and fast turnaround.
-
Stills and social
Unit-style stills and vertical cuts captured on the same day, delivered alongside the video assets.
Working with A-list talent
Interview windows are short and the stakes are high. Our setups are tested and lit before talent walks in, the crew is small and quiet, and the DP runs the room so the interview feels like a conversation. Talent relaxes, publicists relax, and the footage shows it.
B-roll crafted for marketing
B-roll is not an afterthought. We shoot it with the featurette, the trailer bumper and the social cut in mind: clean motivated moves, usable sound, and coverage that gives editors options instead of filler.
Matching the look of the picture
EPK material sits next to the film. We study the cinematography and build interview and B-roll setups that live in the same world, so the campaign feels like one piece of work.
Delivery for studios and streamers
Selects, transcripts, frame-accurate timecode, broadcast-safe masters and social verticals, delivered to the studio spec and on the release calendar. No surprises in post.
Where this work fits
Theatrical and streaming releases, series launches, awards campaigns, press junkets, premieres, and any studio or network campaign that needs interviews and B-roll built for marketing.